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The Strokes photographed by Andrew Cotterill

(Source: jackswhites, via workhardandsayits-easy)


Praise be it my abba who lead me out of dark waters, who stayed with me through the night, who hugged me as my mother, who lead me to the airport and sent planes across the sky for me to watch and fed me beautiful music, who took me into his arms and delivered me to the other side. I think the message was partially about not being too dependent on David and partially learning about how the devil works, about pulling myself out of spirals which requires abba, about how the sun always rises again. Praise to you lord of heaven whose wonderful foresight and merciful power and gentle healing are the joys and towers in my life. Let me lean only on you, whom I trust with my whole heart to always love me, never leave me, teach me everyday, and make my heart new whenever I ask. I love you so much abba thank you thank you thank you

Why are you called the Strokes?

Julian: Because it means a lot of things that are artistic and strong. We all do interesting things in different ways and the words means interesting things in different ways. It just made so much sense that you can’t deny it.
Fab: We’d rejected a bunch of names. Nikolai said that made us laugh for days: ‘de Niros’ as in ‘the Niros’. I used to think of what the word actually meant: a stroke [holds his heart in an inaccurate medical mime], a stroke… blow to the face… a stroke in a painting. The one I think of the most is the brushstroke. But now I just of five dudes standing around.
Nikolai: There were so many different meanings to it, it could never pin us down. So many people have said ‘stroke of luck’, ‘stroke this’… there’s never one thing they can focus on. There’s when you have a stroke, cerebral congestion; there’s a stroke when you play guitar; then there’s the obvious sexual undertones.
Nick: When it first came up, it was like, ‘Oh, The Strokes, like a wank.’ Then a person said ‘No, it’s The Strokes like a heart attack’. Then another person said,’…like a caress’. It rolled off the tongue really well – sort of violent and sort of sexual and it just sounded cool to everybody.
Albert: We’d come in with all these bad names – the de Niros, the Rubber Bands, the Motels, Flattop Freddie and the Purple Canoes – and no one would agree. One day we’re in the studio after practice and Julian said ‘The Strokes’. And everyone was like ‘that sounds great!’. It was that easy; five guys agreeing. it doesn’t really mean anything. We thought it was a cool rock and roll name. When I first heard it, it sounded so old, like someone would have already taken it but no one did. Then I looked it up in the dictionary and ‘a powerful blow to the face, chest or body’ was the first thing. Perfect. That’s exactly what our music is. It’s like a powerful blow to the face.

The Strokes @ Lollapalooza 2010 by Toni Francois

(Source: krycha1976, via arlandrias-army)


(Source: livinginmusic, via betweenloveanddhate)